Joined: Thu May 24, 2007 9:26 AM Posts: 840 Location: Phoenix, AZ
Outstanding movie. Lots of layers to it. Very intellectually stimulating. Audience gave it applause at the end- something that happens to very few movies nowadays. I am going to see it in theatres again (something I never do) just to catch some of the stuff I missed along the way.
Excellent dialogue, fantastic plot, moves at a very good pace. Very little downtime.
I know I am probably a prisoner of the moment right now, but I rank this film (after one view) as probably one of the top five movies I have ever seen, at worst. It is probably top three, and after re-watching my top five again it could very well be the best one.
Yes, it is that good. Take this "review" however you wish, but I strongly recommend it to all.
I liked it a lot. I appreciated that they did not try to over explain the tech. It's so implausible that I'm glad they just left it as is. My favorite wrinkle was the time distortion between the different levels of the dream. Good stuff.
Glad to see Leo doing real movies. He's a good actor.
Joined: Thu May 24, 2007 9:26 AM Posts: 840 Location: Phoenix, AZ
Saw it a second time yesterday. Caught a few things that I missed the first time around. Still amazed at the complexity of the movie, and all the different layers. I feel that Nolan did an outstanding job of presenting all the information to the audience, and then set us up for the last half of the movie knowing what we were witnessing.
One question though that I don't get, for those who have seen-
During the snow dream, Eames (the guy who masquerades as others) is going around killing people and drawing attention away from Saito and Fischer as they make their way to the compound. At one point he falls about a dozen feet to the ground off a ledge, and the black guy who pushes him off jumps down. They wrestle for a little bit. You see the black guy's head on the ground, as Eames is on top pummelling him. The movie splits to another scene, then comes back to Eames/villian. Only this time you see a white guy's head with Eames. Another split to a different scene, then back to Eames/villian- this time a black guy. The thing is, I thought that maybe the white guy was a mirror image of Eames- as in, Eames is fighting Eames. It does look like he temporarily halts his pummelling and has a shocked look on his face for a split second. Was this just bad editing for that one second scene, or more to it?
Joined: Fri Sep 15, 2006 11:10 AM Posts: 1680 Location: San Antonio, TX
This movie stands as proof that some people are at least still TRYING in hollywood. A wonderful film. There's a couple of things I think they should have done differently, DiCaprio was the weakest actor of the entire group, and I was sad that my thoughts on who the character Ellen played actually was didn't find footing before the end.
I'm pretty much of the mind that his wife was right. They were still asleep. Notice that to get to the "shores of the subconscious" you needed to go down more than one level, but he and his wife only came up one. The father in law's "come back to reality", the comment by Eames about "you're going to use his own subconscious to attack itself", the moment towards the end where his dream wife makes the statement about his beginning to doubt it all, and the moment Ellen made the bridge out of the mirrors....I thought the movie was a rescue mission to pull him out of himself and Ellen was actually his wife. That the entire movie was a multilayer gambit similar to the one they were playing on the mark from DiCaprio's vantage point, but actually on him and designed to wake him up.
Eames was awesome. "Dare to dream a little bigger, sweetheart." lol
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